Ne znam kakva su vaša iskustva, ali shvatila sam da mnogo više volim kada me Deja fotka analogno. Film za Yashicu
ima dvanaest snimaka na koje ja obično uspem da smestim barem dva
outfita i mnogo više zadovoljstva nego i na stotinak digitalnih snimaka.
Fotkanje Yashicom podseća na snimanje rendgenom - pripreme i nameštanje traju, a postoji i ne diši momenat. Onda sledi razvijanje filma, i magija iščekivanja može da počne.
Sa digitalcem uvek imam potrebu da odmah gledam fotografije i na licu mesta ispravljam greške. Što a priori
i nije loše, ali lako može da sklizne u opsesivno ponavljanje jedne
iste poze da bi se dobio savršen položaj ruke. A onda kad postignete
savršen položaj ruke, obavezno pokvarite nešto drugo. I onda ispočetka.
Rezultat - stotinak bezmalo istih fotografija, jednakih u svojoj nesavršenosti.
Osim toga,
cross processing mnogo bolje izgleda kada stvarno
cross processuirate film, umesto korišćenja
Photoshop filtera.
Ništa
bolje od toplih dana kad im vreme nije. Neko bi rekao da to nije
zdravo, verovatno i nije, ali je sigurno praktično za fotkanje. Napolju
je trenutno aprilski prijatno, a evo i malog podsećanja na jul u
oktobru.
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I don't know about you, but I've realized I prefer analog over digital photography. Although Yashica
film has only a dozen shots, I usually manage to squeeze in at least
two outfits and much more joy than on couple of dozens of digital
photos. Being photographed with Yashica resembles a lot of taking an
X-ray image by your doctor -it takes a lot of adjusting, trying to find
the right position, and then there is the stop breathing moment. After that comes the sweet anxiety of waiting for a film to develop.
Whenever
I'm being photographed with a digital camera I have this innate urge to
review images right away and try to correct everything I can on the
spot. Which is really not bad, except when you slip
into obsessive repeating of a single pose, trying to perfect it. But
there will always be something wrong with it - if you've made your arms
look perfect, your legs would look blah. The result - couple of dozens
of photos, all looking the same, all equally imperfect.
Except that, cross processing does look better if you actually cross process the film, instead of using a Photoshop filter.
My
favorite pastime during cold winter days is remembering of warm and
sunny ones. These photos were taken last October, during the last breath
of Indian summer.
Tour Eiffel
sequined top from Nylon flea market // purple silk maxi skirt from my
mother // envelope bag thrifted in Madrid // turban from Kalenić flea
market // heels from Kalenić flea market
Evo kako izgleda isto vreme(ne, sunce nije zašlo u međuvremenu) i isto mesto, ovaj put viđeno iz
cross processed perspektive. Ostatak fotografija sa
cross process filma već ste videli u ovom postu. Ne znam šta vi mislite, ali meni se tamnija pozadina + aristokratsko (ili mrtvačko, kako se uzme:) bledilo svidja...
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This is the same place at the same time(no, the Sun has not set in the meantime), but seen from a
cross processed perspective. You might have already seen the rest of
cross processed photos from that film
here. What do you think, I really love the darker background + aristocratic(or deathly, it's relative:) pale complexion...?
Tiger of Sweden
fringed dress // 70s sunglasses from Nylon flea market // chocolate
brown hat from C&A // marbled perspex clutch from ASOS //
Vagabond shoes
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photo // Deja + Yashica MAT 124G.
normal film Kodak Portra 160NC, Portra 400NC i Portra 400VC // cross process film Kodak Ektachrome 64T.
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