Ima neke posebne čari u filmovima iz prošlosti koji pokušavaju da (pred)vide budućnost. Nema veze što nam se predviđanja futurista od pre nekoliko decenija danas čine smešnim, ali gedžeti, nameštaj, kostimi u njima, meni su lično strašno romantični, kao svedoci nekog paralelnog univerzuma, koji se jednostavno nije desio. Haute couture kolekcija Riccarda Tiscija za Givenchy baš je takva, savremena, a u isti mah i vrlo eklektična, kao da je došla iz nekog drugog, paralelnog sveta. Kako sam kaže, insipirisan je kultnim nemim filmom Metropolis i njegovom futurističkom art deco estetikom. Riccardo Tisci, baš kao da se igra kostimografa dvadesetih godina XX veka, pokušava paletom iz prošlosti da oslika budućnost.
U centru pažnje, naravno - alke u nosu. Meni su predivne, ali bi ih nosila samo u nekoj fake varijanti koja ne podrazumeva nanošenje bola...Šta vi kažete?
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There's always been a special place in my heart for movies from the past decades that tried to (fore)see the future. No matter that time has proved futurist predictions from 1920s irrelevant, I find those gadgets, furniture and wardrobe so romantic, as if they're artifacts from some parallel universe that simply did not happen. Riccardo Tisci's haute couture collection for Givenchy is just like that, contemporary and eclectic at the same time, as if they came from that very parallel world. Tisci said he was inspired by Fritz Lang's cult film Metropolis and its art deco aesthetics. Playing the role of 1920s costume designer, Riccardo Tisci is trying to paint the future using the means of past.
In the center of attention are, of course - nose rings. I absolutely love them but would only wear the pain-free fake ones...What do you think?
In the center of attention are, of course - nose rings. I absolutely love them but would only wear the pain-free fake ones...What do you think?
Ista modna kuća, druga sezona - Givenchy je u svojoj AW 2012 isti nakit namenio i dečacima. // Same name, different season - Givenchy used the same jewelry for boys, in their AW 2012 collection.
Jedna od muza sigurno je bila i Ethel Granger, žena sa najužim strukom u istoriji, koju je Stella Tennant divno oslikala u editorijalu The Discipline of Fashion, objavljenom u septembarskom izdanju italijanskog Vogue-a. // Ethel Granger, a World's tiniest waits, must have been Riccardo Tisci's muse of inspiration for this collection, too. We all remember The Discipline of Fashion, the amazing Richard Meisel's photoshoot for Vogue Italia, featuring fabulous Stella Tennant as Ethel Granger.